Sunday, January 27, 2008

Our New Kittens!

We just got these two. They're from different litters but are inseparable. They're both around 6 months old. The gray one is SUPER affectionate, and loves to play fetch. You throw a little red ball and he pounces on it and then brings it back for you to throw again. The striped one is a little more shy and hid under the bed for most of the first day we brought him home, but then came out at night to wrestle with his friend and then sleep on our feet. And occasionally nip at them. Actually, they're both feet biters. But they don't bite too hard. Just saying "hello! Night time = play time! play with me! Oh, did you think you were going to get some sleep tonight? Oh no! not at all! hee hee hee!"

Okay, the thing is, we don't have names for them yet. (The names they had were gawd awful.) Anyone have any suggestions?

-David

City Museum - St. Louis


Probably the coolest place I've been so far in St. Louis is the City Museum, which is not at all what it sounds like. Housed in a 600,000 square-foot downtown building, the museum is an interactive playground and amusement park made out of unique, found objects. A crazy industrial artist named Bob Cassilly opened the museum in 1997 and keeps adding things, such as an aquarium, pipe organ, and a labyrinth of underground caves.
This photo doesn't really do justice to the vast outdoor play area known as MonstroCity. Bridges, spiral staircases, slides and catwalks are all linked together so that you can climb in and around everything. There are old chimneys, salvaged bridges, construction cranes, and even two abandoned planes woven into the glorious mess. At one point, I was climbing on my hands and knees through spiral metal tunnel you see at the bottom of the picture, hundreds of feet above the ground. Truly an awesome experience!

Friday, January 25, 2008

Notes on studio recording

Let's quickly back up and give both of our loyal readers a contextual lens through which to view the importance of the studio work we're doing now. And by "importance", I mean not so much that this endeavor will prove to be important in The World of Music, it's just important to us. At least for now.

The studio is a funny place for musicians. It can be intimidating to confront the fact that you are committing an otherwise fluid and intangible element (music) to an indelible medium (tape, or in this case, a hard drive). There's a lot of pressure on an artist (often self-imposed) to create the definitive version of a song or to perform the song "cleanly" and without mistakes. This can be antithetical to the personality of the music (and in our case, that of the band), leaving fun and experimentation to wait eagerly in the car with the windows rolled up.

Add to this pressure the fact that musicians usually pay for studio time by the hour, day or week, so the more time you spend fretting about the music, the more money you end up spending. Time really is money, thereby building stress about use of time, thereby adding tension to the performance, thereby forming a cycle of paralytic anxiety that can make the recording process less of a creative adventure than a divisive and frustrating obligation.*

Which brings us to Pete's.

First, we're not on a schedule, we record when we're available. There's no album release date looming over us, we're recording these songs because we're excited to do it, so the motivation is organic and genuine. Second, the more relaxed pace allows us to record part or all of a song and let it sit for a while if we want. We can come back to the recording, add or cut stuff, tweak it or just leave it alone and call it good. Some would say "giving the song breathing room." I don't know who really says that, but they're probably dirty hippies.
Third, Pete's studio is quite affordable, allowing us to focus on making good recordings instead of watching our finances dry up by the minute.

With these three elements in place, we can get to the business of making sounds that are pleasing to us, which itself is a challenging process that entails getting the art out of our brain, through our fingers and windpipes and into the computer. Easier said than done, often, But that's another story.

So regarding JohnA's question: Wednesday's recording session was a hoot as usual. To quote a recent e-mail:
"We did octa-bass for Magic Mouth and laid out the basics for What They Do. We ate some Oreo Cakesters which gave JohnO RLS and I burned my French Bread pizza (again). Evan came later to give some mustache support and not eat dinner, Kirk did not have a stroke and and David wore his ninja hoodie, which gave his performance an elusive but deadly quality."
If that makes any sense?

* This is by no means an indictment of the studios we've worked at in the past. We had lots and lots of fun recording both our previous albums and have nothing but warm feelings for everyone involved. Seriously.

Did someone say "side project plug"?

Okay, I'll throw my hat in the ring here. I'm playing a (mostly) solo show at the Rendezvous tonight, 8pm. Special guests include my friend Ben Heege on bass, Sarah Roberts on vocals, and some guy named David on the banjo. Yay!

Now we can go back to our studio updates. Um, what happened in the studio on Wednesday?

Wednesday, January 23, 2008

Ask me about my theatre project!

Printer's Devil/Sgt. Rigsby & His Amazing Silhouettes present: A Boy in the Beastly City


I'm ACTing! I'm ACTING AGAIN! I'm CLEEEEENing! I'm CLEANING MY BRAIN!

Yep, it's my first non-"Awesome", non-sketch comedy actor-ing in almost four years, and it's scratching an itch I didn't even know I had.

For those who don't recognize the name, Sgt. Rigsby (& His Amazing Silhouettes) is the alter-ego of writer/shadow-puppeteer/twisted genius Scot Augustson, who's been mounting his whimsical two-dimensional puppet plays for about ten years. This is my first time voicing a multitude of the characters populating his perverse universe (uniperverse?), but I've been a long-time fan, so obviously I'm beside myself (and only now do I realize how ridiculous my late-'40s mustache looks).

The quick rehearsal process basically consisted of making cartoon voices and sound effects and giggling like small children. Which isn't unlike "A" practice, I realize, but this here is a story about a young boy who ventures to a big city full of colorful dangers in order to rescue his big-testicle'd monkey friend. Four actors sit at a table festooned with old-timey mics and foley effects, and we voice all 50+ characters who are manipulated by two puppeteers behind an ornate shadow-screen facade. Surprises and hijinks, laughter and tears, living and loving and learning, all that.

So, you know, come on down to Theatre Off Jackson, in the International District, Thursdays - Saturdays at 7:30pm from January 24 - February 16. Then we'll all go get a drink at a karaoke bar. You can click the link above the photo for lots more info.

Here ends the side-project plug: we'll return you to updates from the studio shortly.

Monday, January 21, 2008

Another day in Studioland.

Kirk lays down some smokin' typewriter licks.



Just spent a lovely couple days at Dubtrain. Got a lot more done than we thought we would. Highlights: Getting to record with most of us in the room all together at one time, listening to Sgt. Pepper songs, and recording a cat meow in just the right place. Lowlights: Watching the Packers lose during a dinner break yesterday, and the fact that Pete won't let us live at the studio.

-John A

Sunday, January 20, 2008

Lost + Destruction

Writing from inside the studio on our first day working on the next album. Thanks to all who came out to Jules Maes last night. Most likely, your journey to the great Georgetown saloon was like this:

Step 1: "Where is Airport Way again? I can never remember."
Step 2: "What is this road closed sign? Well...let's just take the next road over."
Step 3: "Another road closed sign? Oh hell, let's just drive through this one."
Step 4: "Okay, we can't get through this blockade. But I can see the Jules Maes sign up ahead!"
Step 5: "Holy crap! They're destroying that building! Let's get some beers and watch!"

On behalf of Jose Bold, the Half Bros., and "A", thank you for venturing into the unknown to git down with us.

Saturday, January 19, 2008

Ice Carnival!


Well, it's 10 degrees here in St. Louis. (That's Fahrenheit; minus 12 in Celsius). Perfect weather for the University City Ice Carnival, brought to you by the Delmar Loop Merchants Association! Here are some things you may want to know: 1. Ice is nothing more than frozen water. 2. A can of Red Bull will not freeze solid, but will attain a delightfully slushy state. 3. Be careful if you decide to lick an ice sculpture!

Friday, January 18, 2008

Kunjabunja update

This Wednesday, 44 kunjabunjas were made when we should have been practicing for tomorrow's show at Jules Mae. To listen to them, go to kunjabunja.com, click on the SEARCH tab, and search by date (January 16, 2008). The titles of the kunjabunjas we made are:
Car Wheels And Pole
Fund Question
Hot Beef
Loyal Servant
The Mirror Was Broke
Nighttime Express
Prepare For The Beginning
Sweat Sweat Powder Powder
Another Day At Sea
Catapult Going Up Or Around
Comas Can't Help Cobras
Crispy
The Future Indicates Rolling Witchhunts
Hey Little Woman
How I Run My Bank
Ice Cream Store Homeless Man
I'm Going to Put It In the Laundry
The Knob Twinkled Brightly Although Sunday Never Comes
Ladyboy Come Back to Me
My Straps Snapped Back Part 1
My Straps Snapped Back Part 2
My Straps Snapped Back Part 3
Nighttime Again Stop Please
Okay Okay Okay No Ones Gotten Anywhere With Skin
Paradox From The Planet Ocks
Parking Standards Have Go Parking Face
Pick Any Safe Place Ralph
Ramma Samma Damma Damma Capricorn
Somebody Stop Making Love to Me and My Folds Camera
Two Wards Plus Forwards
38 Cancer
We Are In The Crosshairs
Turn Over Arrow Rover
Sign of the X
No More Feelings of Superiority
Farynx Larynx Pie
Bike Lane Savior Where's Your Grammar?
Stripes of Fancy
Stripes of Fancy II
My Finger Hurts My Finger Hurts It Doesn't Okay
Gone Is The Kirk Gone
Foot Boat Step Flakes
Yes Elbow Lowdown
The Church of Group Recycling


-David

P.S. The kunjabunja site doesn't work so well with Internet Explorer. Actually, no one should ever use IE. It's terrible. Instead try Mozilla Firefox.

Wednesday, January 16, 2008

Stuck in the middle

Once again, Wednesday finds me with nothing much to say and little time in which to not say it. So here's the Stranger saying something instead:

(Jules Maes Saloon) The last time "Awesome" played Neumo's, opening for BOAT and Harvey Danger, I wrote about the show on Line Out, although I didn't write about the "Awesome" set, because I'd showed up too late to see it. A Line Out commenter commented: "It's tragic that this article didn't address the amazing show that is/was "Awesome." When seven slightly older guys take to the stage and only one of them is holding a guitar amongst the trumpets, clarinets, saxophones, mandolins, banjos, etc. etc. etc., you may panic, but it was so much fun and so funny...." For years I've been given a hard time for writing about "Awesome" too much; suddenly I'm getting a hard time for not writing about them enough. They have been twice shortlisted for a Stranger Genius Award. Their fans include Jonathan Safran Foer and Miranda July. Their sound is a mix of bong pop, prog rock, light (white?) soul, and carnival-falling-down-a-stairwell. This is the first time they've ever played Georgetown. CHRISTOPHER FRIZZELLE
The show occurs this Saturday, January 19 at the historic Jules Maes Saloon. Come help us welcome Basil back to the rhythm section, enjoy the Half Brothers cd-pre-release show, and delight in Jose Bold's reprise of his December Songs. What to expect: lots of us drifting on and off stage throughout the night, happily adding to/puckishly distracting from the proceedings. What not to expect: a carnival falling down a stairwell. (We couldn't secure a permit.)

Tuesday, January 15, 2008

Music & Philosophy

The Music & Philosophy course I’m teaching this quarter at UW-Bothell meets on Tuesdays and Thursdays. On Thursdays we make music (like this). On Tuesdays we talk about the Philosophy of Music. Today’s class was devoted to John Cage’s most famous piece, 4’33”. I started the class by performing it for them. I’d worked out an arrangement for harmonica, and although my skills on harmonica are notoriously terrible, I played no wrong notes. (Here’s an MP3 of the performance.) Then we talked about an article by Stephen Davies that argues that 4’33” is not music. The article assumes, following Cage, that the content of 4’33” is to be understood, not as absolute silence (which is impossible anyway) but as whatever noise happens to be in the room during the piece; breathing, shuffling feet, coughing, etc. Davies’s argument, in a nutshell, is this:

1. Anything that counts as music must (at least) be organized sound.
2. If something is organized sound, then it must preclude some sounds as not belonging to the piece.
3. If a work precludes certain sounds from being a part of the piece, then this opens up the possibility of there being ambient sounds that are not part of the piece.
4. But in 4’33”, there can be no ambient sounds which are not part of the piece. All ambient sound heard during a performance of it is part of it.
THEREFORE, 4’33” should not be understood as music. (Davies argues that it is more properly understood as non-musical performance art.)

I argued that premise 4 is false. 4’33” does in fact preclude certain sounds, and this makes room for the possibility of ambient sounds that are not part of it. For instance, it precludes the performer from playing notes on his instrument. If I had accidentally played a note on my harmonica, this would have been a noise that was not part of the performance. 4’33” also precludes all sounds that do not occur during its duration, and any that are unable to be heard within the performance venue. This makes choice of venue important to the content of the performance; an outdoor performance sounds very different than one in a standard concert hall. Cage wants us to pay attention to sounds that we otherwise don’t pay attention to. He also wants us to expand our notion of what sorts of sounds count as music. So he precludes traditional kinds of music from 4’33”. Thus, for instance, if someone who worked at the concert hall was blasting Beethoven’s 5th from his office during a performance of 4’33”, this music would distract from the audience’s ability to hear the sounds that they are supposed to be listening to. In this case we would consider Beethoven’s 5th as ambient noise that is not part of the work; something we should try to tune out so that we can listen to the content of 4’33” proper.

This class is going to be so much fun.

-David

Monday, January 14, 2008

The Big Time

I am officially living the dream of being a working musician. Today I performed for the largest audience that I've ever been in front of before. At The Convention Center. Playing Louie Louie.



It was a crack team of musicians - myself, Evan, my Half-Brother Rick (torso pictured above), and Alana, Todd, and Brendan from Miss Mamie's White Boy Band. The event was a conventioneer's convention. How very meta.



This photo doesn't do justice to the magnitude of the whole thing - The room, the projection screens, the stacks of high-tech gear backstage - it was just massive.

The kickoff to the convention featured such Seattle luminaries as The Total Experience Gospel Choir, Teatro ZinZanni veteran Kevin Joyce, the Pike Place Market Fish Throwers, and Tom Skerritt. ("Please! Have your convention here in Seattle, hometown of Tom Skerritt!")



Mr. Skerritt's entrance to the stage was accompanied by the song "Danger Zone" from Top Gun. We saw him wince shortly before going on.

Our big moment was introduced by none other than Governor Christine Gregoire. After a brief speech about how fantastic the Pacific Northwest is and how everyone should spend their money here, she announced that the 'house band' was going to play Washington's unofficial state song. The curtain was pulled, and thus our one minute and 20 seconds of glory began. The horns, after playing the first part of the riff on stage with us, then strutted off the stage and wove through the crowd toward the exits in back, joined by members of the Seahawks Blue Thunder Drum Corps. The room was so huge that Rick, Todd and I had to try to ignore the one-second delay of the horns' melody bouncing back up to us. Once they had exited, the curtain was drawn and the song was over.

Quite the surreal experience being paid so much for doing so little.

These are times

I look at the desk and I watch it watch me. It smirks harder than I do. It knows about what I'm not doing, and worse, what I'm about to do. I see myself walking in between the grains in the wood, a washed-out ravine. The sky is nursery-school blue, and there's a rock in my shoe. When I brush my hand along the sides of the walls, some of the clay crumbles into my palm. It's got the consistency of the filling from a Nutter Butter, but it smells like moss. I taste it, and start to grow. I'm at my desk, watching it watch me. I click to open a new window.

"When you tire of one side the other serves you best"

Wednesday, January 9, 2008

Messiaen + Visconti + Radiohead

= Thursday night at Town Hall. For the second half (the music of Radiohead) I'm joining a cast of fantastiks -- cellist Joshua Roman, clarinetist Bill Kalinkos, violinist Amy Iwazumi, pianist Grace Fong, vocalist Sarah Rudinoff, and drummer Doug Marrapodi -- on guitar and theremin.

It's no carriage house, but it'll do.

Best Quote of 2008 (so far)

"The fondness I feel for Tuesday can only be surpassed by many different types of carriage houses."

Every now and then, Basil reminds me of how funny he is.

2lazy2think

It's my day to post.  I didn't sleep right last night.  I'm nostrils-deep in "committee work" at my jobbyjob.  So without further ado:  Laziest Post Ever.

Happy birthday, Dave Matthews.  Maybe I'll run into you at Lighthouse Coffee someday and tell you how much my dad used to like you.

Monday, January 7, 2008

Hello 2008!

In honor of the new year and my first gig with the boys since the kid was born, both of my bass guitars got a tune-up and new strings thanks to the fine staff at American Music. 
This is not really important besides being a new blog post that isn't a philosophy dissertation. Seriously, who gave David that meth rock and let him loose on the internet? If I wanted to read I'd buy a newspaper. 

And even then, I'd probably stick to the comics and the crossword. 

Saturday, January 5, 2008

The Blimp and the Savoryists

I’m out on this long stretch of road, driving the old silver Honda. The day is hot, and things that don't stay green year round aren't. I'm not sure why I'm out here by myself. I guess I went to check out some beautiful and rarely seen area and Jen stayed at the camp. The camp is some hippie-ish nature preserve (sort of like Esalen or Indralaya) near Mt. Rainier. I think I was there giving a philosophy talk there or something. So I'm driving by myself on this long straight road, heading back to the camp from whatever beautiful place I just checked out, and the car starts to die. So I’m coasting down this long straight road. I don't want to be caught out in the sun because heat makes me panic. Suddenly I'm under a cloud and I think, "Oh good, I can park the car under this cloud.” But then I look up and it’s not a cloud, it’s a blimp. And the blimp is only slightly larger than a school bus. It’s only about 20 feet above me, and coming closer with every second. It appears to be deflating. It starts to deflate all around the car and I don’t want to get trapped underneath it, so I aim the car to the side of the road and narrowly escape. I get away from the blimp, but I’m thinking if I get trapped out here I might walk back to them and see if they have any water or air conditioning. I’m hoping I can coast the car at least to the main highway where I might get cell reception and I can call Jen to come get me.

It occurs to me that there’s a better way to coast: I climb on top of the car, lying on my belly, sort of like body boarding. The wind is in my hair and it’s really fun, but then I think, Oh shoot, I might need to steer. So I jump off, run along side the car, open the door, and roll down the window. Then I jump back on the top lying down and I can reach my left arm down through the window and steer if I have to.

I manage to reach the main highway and I pull the car to the side of the road, just narrowly missing going into busy traffic. Almost immediately a convertible car pulls over to help. (At first I think it’s a jalopy hot rod, but then I see that it’s a Miata or something modern like that.) Two gray haired old women are in the front and a gray haired old man is in the back. They stop their car facing away from me, so they’re all swiveled around in their seats, smiling at me in a “we know something you don’t” kind of way. The man talks to me:

“So, car trouble, eh?”

“Uh, yeah, guess so,” I reply. I’m just hoping they’ll leave me alone so I can call Jen.

“You must be from the camp!” He says. I can tell by the way he says it that they have no respect for those damn hippies at the camp.

“Well, I don’t know much about it, I’m just visiting. I never knew it was even out here until recently.” I’m trying to distance myself from those camp people, and somewhere in the back of my head I feel bad about it. Why should I care what these strangers think?

There’s a pause. The man is still smiling at me.

“So what’s your day trade?” He says.

“My what? Oh, my trade, during the day, my, uh, job. I’m, well, I’m a philosopher. I mean, I teach philosophy. At, uh, college.” This is always an awkward conversation for me. You never know what people are going to think of you. All three of the old people’s smiles get bigger. They look at each other and then at me. The old man beams,

“I knew it! I’m also a professor. Over here at Jules College.”

“Uh, where?” I think I must have mis-heard him.

“JULES COLLEGE,” he repeats. I’ve never heard of it, and I realize it must be one of a million community colleges out here in the back woods. I don’t want to offend him so I pretend I know it.

“OH! Jules College. Right. Um, great! Cool. Uh, yeah, so, er, what’s your field, or department or whatever?” When are these people going to leave me alone?

“Philosophy.” he replies.

“Oh! Hey, that’s… that’s great. Uh, yeah. Great.” Oh no. Not another philosopher. I surreptitiously reach for my phone. I’m going to try to text Jen while I’m talking to this guy. I try to be polite: “So, uh, what area do you specialize in?”

“The Climatists.” The who-what? They sound like philosophers that study climate or something. I’ve never heard of this particular philosophical movement, but instead of just admitting as much, I try to bluff and play along.

“Oh, cool. Uh, yeah, right. The Climatists. So, uh, they’re a kind of Pragmatist, right?” I’m just guessing. I have no idea.

“Oh no,” he replies, “They’re Savoryists.”

I have no idea what the fuck a Savoryist is. By this time I’ve got my cell out behind my back. The screen on which I am furtively texting has blue clouds scrolling past it, which apparently is the indication that the reception here is crappy and my message may or may not go through. My text says:

CAR DIED ON ROUTE 20. TRAPPED WITH ANNOYING PHILOSOPHERS. COME QUICK.

It’s actually quite common for one philosophy professor to have no worldly idea what another is talking about. This is because philosophy is so fractured. One of the major splits is between “Continental” and “Analytic” philosophy. Although the split was taking place in the 19th century, it became much more entrenched and pronounced right before and during World War II. By the 50’s and 60’s, (some) philosophers on either side were having a hard time understanding each other, and misunderstandings were all too common. Continental philosophy gets its name because it was the philosophy done primarily on the continent of Europe (as opposed to the island of England): France and Germany especially. On this side of things, you get philosophers like Husserl, Heidegger, Derrida, Foucault, Camus, Merleau-Ponty, Sartre and you’ve also got views like phenomenology, neo-marxism, post-structuralism, post-modernism, the ideas of The Frankfurt School and um, lots of other ideas. And because I got my doctorate at a philosophy department that was very analytic, I know almost nothing about these philosophers and ideas, even though many of them will sound familiar to the average person on the street. Analytic philosophy (done primarily in England, the US and Australia), as separate from continental, came to prominence in the 30’s and 40’s, and some continental philosophers still think that all or most analytic philosophers hold views that were held by some analytic philosophers from back then, most notably the views of Carnap and the Logical Positivists of the Vienna Circle. So the stereotype of the analytic philosopher is a person who thinks that all philosophical problems can be solved by a logical (or “conceptual”) analysis of language. Analytic philosophers were also heavily influenced by and involved in the advances in logic and set theory, and so way back then (like in the first third of the twentieth century) it was thought that these new tools would help solve all the old problems of philosophy. It was also thought that these tools could help move philosophy into a more scientific mode, so that old problems of philosophy would either be shown to rest on conceptual mistakes of language or be recast as a problem that empirical science (as opposed to armchair philosophy) could provide the explanations for. Contemporary analytic philosophers don’t believe anything that simple, but they still like to think of themselves as being committed to a certain rigor and clear-headedness that prevailed when the science of logic was held to be the analytic philosopher’s primary weapon.

Someone recently e-mailed me asking my take on this famous quote by Nietzsche. Nietzsche is studied by both analytic and continental philosophers (but probably more by the continentals), so this might be a good way to explain the difference between continental and analytic. The famous quote is this: “There are no facts, only interpretations.”

Here’s a caricature of a continental philosopher’s take on that quote:
“Yes, of course that’s true. Everything that is put forward as a ‘fact’ is really only that person’s interpretation of the world, filtered through the ultimately distorting lenses of culture, class, race, gender, sexual orientation, etc, etc, etc. There is no ultimate, special, unbiased way to look at the world. There is no such thing as THE correct view of the world. Is abortion moral or immoral? This question is ridiculous! It depends on what moral framework you adopt, what culture you are from what experiences you have had. To assume that there is a single answer to this or any other question is to assume that there is One Correct Viewpoint. And those who have held the view that there is One Correct Viewpoint have typically been the ones pushing an imperialist agenda, forcing all the others of the world to adopt their supposedly One True View, the FACTS. We must abandon that old conceit and instead let a thousand flowers bloom: every view is just as correct as every other view.”


Here’s a caricature of an analytic philosopher’s take on that quote:
“First of all, the view is self-refuting. Is this idea [that there are no facts, only interpretations] itself a fact, or just another interpretation? If it is a fact, then the view contradicts itself and must be false. If it is just another opinion, then it’s not universally true, but only true for Nietzsche and those who like to say it too. (Just as “chocolate ice cream is gross” is true for me but not for many others.) In this case, there is no reason to take the quote seriously. Secondly, we should make a distinction between realms of discourse in which there are no facts of the matter (only opinions) and those realms in which there are. For example, many people agree that there are no aesthetic Facts and that it would be ridiculous to, for example, claim that there is a Fact of the Matter about whether the music of Stevie Wonder is better or worse than the music of the Beatles. But that does not imply that we should say the same thing about, for example, scientific claims, or even ordinary common sense claims like, “trees exist.” We run the risk of sounding like we are spouting gibberish if we really try to claim that it is merely a matter of opinion whether trees exist or whether the Earth is flat or round. Moral claims may be controversial, but surely there are SOME objectively true moral claims. For example, “It is wrong to be wantonly cruel to innocent children for no reason.” -- Do we really want to say that this is just a matter of opinion? Should we say that whether the Holocaust was good or bad is a matter of opinion? Is there really no right or wrong in our going to Iraq? Are questions of morality no different than questions about what kind of ice cream is good or bad? This kind of moral relativism insulates one from having to make difficult decisions, and can lead to apathy, and intellectual laziness. Thirdly, we must make a distinction between there BEING facts, and our KNOWING facts. We are limited fallible beings and we don’t always get the answers right, and we often disagree with each other, but that doesn’t mean that there aren’t answers out there. I may never know whether there are an even number or odd number of hairs on my head, but that doesn’t mean that there’s no fact of the matter. Denying that there are facts makes discussion and disagreement impossible and pointless. Yes, of course our culture, gender, class, upbringing, etc. affect the way we think about things, but we shouldn’t blow out of proportion the amount of ‘bias’ that these things produce. Surely none of that stuff gets in the way of my being able to see that trees exist. And also, one way to compensate for the possible distorting or biasing effect of our varied backgrounds is to TALK to each other and try to understand, as best we can, the alternative perspectives. Then we can help each other overcome these biases and get closer to the facts. According to the relativist, there’s no point in anyone talking to anyone because there’s (a) no facts to talk about, and (b) no way around our biasing backgrounds, so we probably don’t really even understand each other anyway. That’s a view that has little evidence for it, and let’s face it, it’s awfully dismal.”


Ah well. This Tuesday classes start up again. This quarter I’m teaching a Philosophy and Music class and an Ethics/Religion/Meaning-of-Life class. It should be fun.

And I now have the record for longest “Awesome” blog post.

-David

Friday, January 4, 2008

sneaking into the Muny


In the heart of Forest Park, in St. Louis, is a huge outdoor theater called the "Muny". I think it's short for municipal. They do big musicals here during the summer, like Miss Saigon and The Producers. It was cold and windy today when I walked through the gates. I was surprised not to see anyone around, anywhere. The doors to the auditorium were locked, but the loading dock gate was open. I walked through, and found myself backstage, surrounded by creaky old stage machinery. I walked out on stage, and stood on top of a giant turntable, no doubt installed for a production of Les Mis. I jumped down over the orchestra pit, and climbed the stairs to the back of the ampitheater. Just as I was about to ascend the spiral staircase to the followspot tower, a man yelled at me. "Hey!", he said. "You have to go back". I waved at him, and jumped over the concrete wall, landing outside the front entrance. A woman sitting in her car in the parking lot looked at me, and continued talking on the phone.

Monday, December 31, 2007

WOW

You guys?  At Neumo's last night?  I think I'm falling in love with all of you.  Way to party like it was actually NYE!  Thanks to Sean and the Harvey Dangers for keeping our streak intact, thanks to Toucan Pete for champing Basil's bass parts, thanks to Tim Hyland for understudying Basil during the Bathroom Monologue, thanks to Tracy Repep for kissing my tie and then singing her head off, thanks to BOAT for making the people bounce, thanks to John Roderick for the bottle of water and for playing Lennon to Sean's McCartney in "I've Got a Feeling", thanks to the Missus Auer for drawing a happy face on my blood blister, and thanks to the Very Mister Auer for shredding his fantastic guitar during Wurm.  Speaking of, for those of you who would like to know what the absurd prog anthem surrounding "American Boyfriend" was:  "Starship Tr00per", written and performed by Yes on their 1971 powerhouse The Yes Album.  Yes!  They're considered spiritual leaders of a sort around here.  If you'd like to hear what we sound like doing this epic when we have a studio in which to play our parts, go over here.  (Happy Strangercrombie '06, Thomsen!)

I think I speak for all "Awesome"s everywhere when I say that you, reading this, are awesome as well.  We all wish you the happiest of new years.  2008 contains all our beautiful futures.


Saturday, December 29, 2007

COW

Cornucopia of Whatever: coming this fall! (thanks Rob)

Wednesday, December 26, 2007

The Doctor and the Ladder

Part 3 of 3.  

I feel that this punctuates the end of my Xmas vacation... but maybe that's because I'm blogging from work.


Whadjegitferchristmas?

I got a baby.














This is Nora.
She was born on Dec. 22.
She's pretty rad.
Thanks to Molly for the threads.

Saturday, December 22, 2007

John O's Album Gets a Review!

See here where the Seattle PI gives a review to our man John's recent Fly The December Skies. My favorite songs are Little, Snowflake, The Start and the End, Push On, and Madison. But they're all fucking great. What a jerk.

-David


P.S. on a totally different subject, what has our resident Stephen Sondheim expert (Mr. Mosher) got to say about the new Sweeny Todd movie?

Narcotic Exquisite (with Apologies to Wallace Stevens)

As the droozy dew of Vicodin
Brings forth
The wet-glazed palm
And yellow dream’s appetite for life,

As the droozy dew of Vicodin
Brings forth birds and birds
From the Nebula,
Nebula unfolding jubilant curves
And mad curves of jubilant curves,

And unscrupulous effluvia,
Shine though the lens of the vast playpen,
And pontifical frost
So, in me, comes wringing
Wrinkles, rules, and the ruin of rules.

-David

Thursday, December 20, 2007

Stairway To Heaven? Hell, yes.



Pete (aka not Basil) laid this on us last night during a break from mixing some Half Brothers tunes. This seals my vow to never listen to the original again.

Wednesday, December 19, 2007

People in Japan do this for fun and money



My wife tells me that a friend of ours is one of the black-clad puppeteers. I always knew we had the coolest friends.

Destroying walls exactly where they used to be

It's my day to blog so here I am with Part 2 of 3:  Doc Nixon's Entropy Express!    


Thought of all of you at the Rendezvous last night - I was chillaxin' in Iowa City with our man Johnny K., who's there studying to be a Master of the Fine Art of Directing.  Things I noticed: A) nearly everyone chain-smokes in the bars here.  It made me homesick.  B) I still have a difficult time succinctly describing what we do to folks with no context other than a common friend, even if that friend directed one of our... entertainments.  C) Hunky Dory is a good album to rock while driving home on tiny Iowan roads at 2:30AM.  

Oh, I miss you pretty things.


José Bold & The Anderson One

So how many people think J. Osebold isn't such a bad songwriter after all? The solo (plus guests) show at the Rendezvous last night hosted by Mister O of Awesome was one of the best musical experiences of the year! Kirky Kirk was a top-notch foil as usual, what with the singing, playing, and general tomfoolery.

A brilliant attempt at shooting for the stars.

And he would have gotten away with it too, if it wasn't for you lousy kids.

-- Pete (aka Not Basil)

Tuesday, December 18, 2007

Oscar: worthy?

Apparently not worthy of a waiver from the WGA, reports Annie at Slog.

Take that, Dick Clark Productions!

Judging from the comment thread on that post, I'm not the only one who CANNOT WAIT to see what this writers' strike will do to Hollywood. And especially to the Academy Awards, the most bloated, asinine, self-congratulatory industry stroke-fest of all the Awards. Truly, I'm filled with gleeful dread and anticipation. Like when you put your army men in the microwave - nothing really happens at first and then - EWWWW!! Awesome!!
 
Maybe after the strike is done microwaving Hollywood, there'll be something better to make out of that puddle of green plastic goo. Or at least people will realize that the writers (and musicians and actors, for that matter) who devote themselves to making things pretty, clever, thoughtful, entertaining and (ugh, okay) "magical", deserve the right to make a decent living at it.  

Monday, December 17, 2007

The Pentagon has no bathrooms.

That's what my dream told me last night.

Also, that Evan can turn into a bumblebee at will.

Dream interpretations anyone?

-David

Evan! Make Sure Your Dad Is Okay!

Singer-songwriter Dan Fogelberg dies at age 56

Thursday, December 13, 2007



FLY THE DECEMBER SKIES!

Guilty Pleasures

So, there are many days here when I leave my desk 6 times or less, to empty my bladder and refill my Nalgene bottle. I try to combine these trips for maximum efficiency. Sometimes I just pee into my Nalgene bottle to stay really efficient. Yesterday was one of those days.

And I listened to a lot of music. Thanks to the iPod shuffle, I remembered how much I like the song "Hurricane Amore" by the Ocean Blue. It really needs a harmony vocal, though. Then I thought about how often harmony can 'sweeten' a song. The power of Garfunkel should never be underestimated.

One thing I'd like to do with the rest of the band in 2008 is to create song that has a lot of choral elements, something where at least one person is singing throughout. There are a lot of good singers in the band, and quite often we get carried away with making intricate arrangements for our myriad instruments, which is sometimes a detriment to our vocal abilities.

I learned this when we recorded Trooper. Am I not supposed to leak that yet? Anyway, it's really nice to stand around a single microphone with three other really good singers. We haven't done that in a while. I'm looking forward to that again. It almost makes me forgive my mother for driving me to Hudson to take voice lessons from the woman who made me sing "The Rose." Nothing kills your chances with 7th-grade girls more than singing Bette Midler in a higher register than they can.

And finally, if you haven't heard Jose Bold's new CD, "Fly the December Skies", you must do this now. He's even giving it away. Just put your cursor up in the URL of this page, highlight "home.php" and replace it with "december". This will unlock a world of beautiful sweetness. If you don't think "Madison" isn't amazing, then you're made of wood. I'm calling Zach Braff now to get it onto his next soundtrack.

I don't know why this post was called "Guilty Pleasures."

Tuesday, December 11, 2007

Exercise Your Right to Vote

By stuffing the ballot box!
Just kidding. Unless you live in Panama.
Good times.


The fine bloggers at Three Imaginary Girls have opened up their "Best of 2007" poll for the voting. 

And a little radio station known 'round here as KEXP has got one too.  

As a reminder: 
The band is called "Awesome"
The album is called Beehive Sessions
We will accept nothing less than total world domination.


Fear! Does not Exist! In this dojo!

P.S. We're also auctioning off an original song for The Stranger's Annual Benefit Auction. Why haven't you bid on it yet?  


Saturday, December 8, 2007

Did you see the comet last night?

Thanks to all who stuffed themselves into the legendary Comet last night. It was a rite of rock passage to play there with you. Things I learned:

I. Eux Autres is pronounced "Ooz oh-truh"
II. The windows at the Comet can withstand the monster drumming of John from Fishboy
III. BOAT is catchy music, 'tell you whut
IIII. Don't eat Italian before a show
IIIII. Capitol Hill chicks could totally beat the crap out of Fremont chicks
IIIIII. I need a new amp...with lasers
IIIIIII. Brian Flobosh is in town

Holiday cheer all 'round ye'all.

Friday, December 7, 2007

Finally Finshed


I've been working on this damn painting for over a month.

Now I can get to work on the piece Kirk commissioned me to do. I found the perfect "canvas" for it in the as-is section of Ikea. That place is a goldmine for things to paint on! A GOLDMINE I tell you!

Look at old weird art of mine at docnixon.com/art!

-David

Reminderinder

Don't forget:
Tonight at The Comet!

We'll be sharing the "stage" with BOAT, Fishboy from TX and Portland's own Eux Autres (which is a fancy way of saying "no overnight camping without a permit", if our recollection of high-school French is still accurate which I believe it most certainly IS).
The whole thing is presented by the very real Three Imaginary Girls.
We can't wait to see you there! 

(And by "We", I mean "They", which includes "This guy". 
I'm still on administrative leave. Hold all my calls.)

PS:  Here's a link to Fishboy lip-synching a song on some Chicago-based kid's show.  Here's a link to the Stranger talking about the show.  Here's a link to a pug puppy.

23

Damn this Blonde Redhead album is good.

Wednesday, December 5, 2007

Sweet Melanie Pie Shoppe

Sweet, Sweet Melanie
Couldn't really see
Had a sweet tooth tendency
O my bonnet bee

Had a man, a handsome guy
Made entirely out of pie
Didn't fret a fretty dance, why
He just smelled real good and smiled real wide

But Melanie sought the sweeter meats
A pesky thing, temptation be
But when ye, if ye can't see,
Get the itch, ye answer, see? See.

So off goes she, Sweet Melanie
A teardrop lost for out-to-sea
And left us here, a' you and we
And husband pie, yes, he makes three

Of brushes with famous persons riding transit

My dad (Dave) went to high school in Peoria, Illinois, where he was involved in speech and debate and dabbled in painting. He would often ride the bus to regional tournaments, and on these buses he became acquainted with a competitive peer named Dan. Dan was another young actor and painter from a rival school in Peoria; one of those maddening people who are good at everything and probably have fame encoded in their genes.

There was eventually a tournament where my dad's lead role in a scene from Midsummer Night's Dream was matched against the scene Dan led. Dave's team won by two points (but they failed to make it to state by one point... O, cruelly elusive Fame...) On his victorious bus ride back to Peoria, Dave heard "Punky's Dilemma" from Simon & Garfunkel's just-released Bookends being perfectly strummed and sung by the unflappable Dan at the back of the bus. So he was a talented musician, too. Oh well.

A few years later, Dave bumped into Dan on a bus to Champaign. They recognized each other and started chatting about music; Dan had just finished recording some songs in Nashville, and Dave had embraced a hippie lifestyle with musical hopes. Dan was on his way to hang out with some friends, and he invited my pop to come along and jam with them. Dad can't really remember why he never followed up on the invitation. Who can say what would have happened had he gone? Life is a long, strange thing.

Thirty-odd years later, David Mosher is a popular pastor living happily and healthily in Iowa, and Dan Fogelberg is a retired multi-platinum musician living happily and (unfortunately) not so healthily in Colorado.

I will not attempt to extract a moral from this mid-afternoon tale, but I will admit that I have always preferred Christopher Cross's dulcet music to Dan Fogelberg's. Also, my dad plays guitar way better than I can. I'm hoping to get a lesson out of him during my holiday visit.

Visual reference: Three Guitarist Contemporaries

Tuesday, December 4, 2007

Jean Stapleton!

Jean Stapleton!

If you're not paranoid, you're not paying attention

We interrupt Rob's riveting and elegantly minimalist live-blog thread to bring you this news update:

Due to recent so-called "precipitation-generated activity" (they're called landslides, you liberal media pansies!) here in the greater Seattle/King County/Puget Sound/Cascade/Olympic region, all train and highway access into and out of Seattle has been CUT OFF indefinitely. And while you might think, "that's cool, I don't need to get out of town anytime soon", remember this, hippie:

Now you've got nowhere to run from Canada.

Don't think they're not planning it right now either:
  1. Their dollar is finally stronger than ours. 
  2. They've legalized weed.
  3. Recruitment of young "hockey players" has been at an all time high for the past 7 years.
  4. What other reasons do you NEED?
Do you really think they've been doing nothing but socializing their healthcare and breeding improv comedians this whole time?

Wake up, America, the mild-tempered tide is rising and we are SITTING LOONIES down here. Who's gonna be laughing when they clear the the roads and tracks only to find THE SPACE NEEDLE FLYING A BIG, RED MAPLE LEAF?! FREEDOM ISN'T FREE! You can pry it out of my COLD, DEAD HAND!
ALWAYS REMEMBER! NEVER FORGET! USA! USA!


And now back to Blake Lewis or whatever.

Colbie Caillat (?)

Colbie Caillat (?)

Jonas Brothers (Disney pop band?)

Jonas Brothers (Disney pop band?)

Just picked up Blake Lewis

Just picked up Blake Lewis (American Idol)

talent driver

I'll be behind the wheel of a 15-passenger van today, driving artists to and from the KISS 106.1 Jingle Bell Bash at the Tacoma Dome. I'll post to the blog by phone to keep you updated as to which famous musical celebrities I'm encountering.

-Rob

Monday, December 3, 2007

If "Awesome" records a cover, then Naysayer has to record a cover.

Yes, Naysayer. The a capella heavy death evil-bad metal band that will destroy your face with its monster licks. And that cover should be Arthur's Theme (The Best That You Can Do) by Christopher Cross.

-David

Saturday, December 1, 2007

Rok and Roll!


Drawn by one of my guitar students (age 5). Note the extra long rubbery guitar (JO, I'm looking in your direction) and rapt audience members.

-JohnA

Friday, November 30, 2007

Glob Is Blog Spelled Backwards

Okay yeah, so I'm posting a lot this week. I feel like my mother, rediscovering the internet thanks to Rob Witmer, in exchange for a hot meal and some fresh laundry. Long story. Suffice it to say this whole blog thing is still fresh and new to me, and I don't know what to do with it. Should I:

Reminisce about all the amazingly mediocre meals I had, served with casual annoyance, at Bimbo's Band Member Kitchen? Or reflect upon that one time I actually went into Kingcora (sp?) to meet a friend, only to realize some time later that we were meeting at Bill's, thereby officially keeping my streak of not purchasing a drink from that bar intact? Oh, the halcyon days of East Pine! I did have a nice time at Pony once.

Pick a frustration that concerns me and very few others and complain at length about it? Why does the water cooler take so long to fill my Nalgene bottle? Or is there a state law that requires all garbage trucks to visit dumpsters before 8am? Oh, the halcyon days of earlier this week! I did have a nice time cleaning the rehearsal space last night.

Make a blog post about nothing at all, criticizing blogs and my inability to think about something creative to write? Oh, here's a funny list of things I could write about in this blog! Oh, the halcyon seconds of minutes ago! Oh no, I'm so self-referential that I'm writing myself out of existen

Thursday, November 29, 2007

Pandaparts and the Slow Blog: A Survey

So I'm at work, which has instant quick internet, and our site is really slow to open. All the time. It seems that Blogger needs a moment to cache the YouTube video of our lady panda, then it loads the content.

Is this happening to anyone else? If so, do you give up or wait it out? Are you no longer a fan of this band, or music in general, because of this?

Wednesday, November 28, 2007

A Dream of Tens

This morning I dreamed that the old ConWorks space had been converted into a casino for a party. I was playing an old-fashioned 10-cent slot machine above the main gallery, where I was waiting for some sort of surrealistic floor show to start. Suddenly the machine landed on three tens (it was numbers instead of lemons and cherries and such) and I realized I'd just won $100,000. I felt vaguely guilty. One of the organizers (an old friend who didn't seem to recognize me) came over and started handing me a bunch of 45s from an old jukebox, each one representing $10, $100, or $1000. As I counted the records and decided which I'd keep and which I'd cash in, I had a fleeting thought about taxes and which debts I'd pay first. Just then the floor show started, but at that point the dream sort of turned into an audience-participation sexual-performance-art caper, so I won't bore you with that.

I will mention that last night while we were working on mixing the Secret Song, David pointed out the clearly visible Panda Bear Ladypart in the video below.

--Evan

Tuesday, November 27, 2007

Those bears on TV have toilet paper

This panda needs some Kleenex, apparently.
(You'll want your sound on for this one, trust me.)



BAHAHAHAHAHAHAHAAAA!  Again! again! again! Play it again...

BAAAAAAAAAAAAAHHHHAAA!

(And then I got fired from my job.)

Monday, November 26, 2007

Faces and Places

She said that she was going to meet me here, at about 6. It's now 7:30 and the cafe just closed with a hearty chain rattle. This place collapses upon itself with depression until it can fit in my palm. I close my hand around it, get up from the outdoor patio furniture and step outside. It's cold, and getting colder. She's not coming. I'll wait until 8, just to make sure.

Thursday, November 22, 2007

Thanksgiving!

Here's what I did: I went to my aunt kelly's in Mt. Vernon. I ate turkey and potatoes and yams with fake sour cream and also ate a vegan pumpkin cheesecake. Then everyone worked on a jigsaw puzzle. Then we went home and watched more Six Feet Under. (We just started season 3) Also, my grandmother gave me some money for helping her make a website to show her art, and with the money, I'm going to buy THIS.


What did other people do for Turkey Day? Put it in the comments!

-David

Eat something, Jenny

Happy celebrate turkey thank you

Wednesday, November 21, 2007

When Wednesday is Friday is Waffleday.

This is our beloved Waffleman. He's sometimes known as Hugh J'Ardon, and he plays ukulele and hollers as one of Miss Mamie Lavona's White Boy Band. I have heard it told that he once distilled a gallon of moonshine using only his own body. He's as gregarious as he is formidable; a positive force in our fair city.

Tonight he's celebrating his birthday with a musical hootenanny at CHAC Lower Level. Rob and I will be joining his cover band Superfluous for a song or two around 10pm, and then Miss Mamie and her cohorts will vibrate the air in the room with their sexotic sounds all the way until Thanksgiving. It's free, it's festive, and it may as well be Friday.

--Evan

Tuesday, November 20, 2007

Monday, November 19, 2007

We'd Like To Thank You Herbert Hoover

So there I am. It's a rainy monday night and I'm vacuuming the halls and stairs of my apartment building. (I've got a deal worked out with the landlord to do a little work around the building to get a reduction in rent.) I've had a stuffed up nose since June. I'd go to the doctor if I had insurance. But last night as I slept the nose was amazingly clear. Today it's running like crazy. I mean, like I can't blow it enough. I keep blowing and blowing and still there's more snot. Finally I'm just letting it drip out of me. I'm hunched over as I vacuum so I don't get any on my clothes. Because there's a lot of stairs in the building I'm frequently switching from regular vacuuming to using the hose and attachments. It's a fancy Hoover vacuum cleaner with a little green light that comes on to tell you that the carpet is clean. So I've got the hose out, vacuum still on, and another drip falls from my nose and happens to go right into the hose. I can feel another drip coming so this time I aim for the hose to suck it right up. Then I get an idea. I look around to make sure no one is watching. Then I blow my nose hard right into the hose. When I lift my head up my nose is amazingly clear. And unlike when you blow your nose into tissue and it tickles your nose and just makes more snot come, this is very clean, no tickling. I can't remember when I've felt so fresh. So I keep vacuuming, and every couple of minutes or so I give myself another nose job. Or nose-suck job. A "nuck job" you might call it. And each time I do I look furtively around as if I was doing coke or something. And I'm holding one nostral and blowing and then the other. And for a few minutes afterwards I've got the most beautifully clear sinus passages I've ever had. Nuck jobs are awesome. Anyone else tried this?

-David

P.S. Does anyone know what musical the subject line comes from? Hint: I was in this musical in 8th grade.

Sunday, November 18, 2007

Vi-o-lin, Lin, Lin

Fretless mind-zither!

Some call it organ rock

The secret song utilizes accordi-organ sounds, care of Robertson.

Pop Vocal Group

The Milliondollar Quartet! Available for elderly birthday parties and school lunches.

Stere-ery-oh!

Dubtrain Pete has excellent microphone lore.

Saturday, November 17, 2007

Hi, Mom

Bloggy blog blog sing blog!

From the comfort of Evan's phone

Literally live-blogging mid-take. Technology!

Live Blogging From The Recording Studio

Here we are at the recording studio. We're recording a song. A secret song. A cover song. We were sort of commissioned to record it by The Stranger. Sort of. We're gonna play it this New Year's Eve. It's a 9 minute song.

Okay, I'm in the big blue easy chair. Rob's on the couch. Kirk is on the leather chair. John A's noodling around on the mandolin. Evan's doing his laundry. John O and Pete and Basil are in the studio proper messing with the bass. The bass is an instrument with 4 strings.

Evan just bought a chair from Ikea. Oh, now John A's got the banjo-mandolin.

Evan is now on Pete's computer looking up a bulk box of pop-tarts that he can buy on Amazon. Pop tarts make me ill. But that doesn't stop me from eating them. One time I bought a bulk box of 25 boxes of Annie's Macaroni & Cheese. That stuff is top notch. Right now I'm not eating dairy or cheese though, to see if maybe that has something to do with the stuffed up nose I've had since June. I really like cheese. And that's saying something, because I don't really like food.

Ooh, ladies just showed up!

Friday, November 16, 2007

the venereal game

No, it's not a disease:

The Venereal Game



Examples:

A group of unicorns is called a blessing.
A group of kangaroos is called a mob.
A group of whales is called a pod.
A group of bears is called a sleuth.
A group of bassoonists is called a blast.
A group of musicians is called a band.

Thursday, November 15, 2007

Poem

I've been doing this poetry challenge where I have to write a poem (no matter how crappy) every day. Here's one from about 6 years ago:

A mother's exasperation
took the shape of my unplanned smile
as I passed and heard her child say,
"I'll be in the cookie aisle."


-David

Wednesday, November 14, 2007

I'm sorry I'm late, I had to attend the reading of a will

There's more where that came from.

Thanks, Luke. I stole your idea.

Anthem: Required Reading

Sooner or later we'll see the clear path ahead and fully embrace edutainment. We've heard that the ABCs at the end of Anthem are useful for youngsters who need more speed in their alphabetic practice. Once recorded, Magic Mouth of Geometric Penta[septa]agrams could help point new counters towards "nine". But do we have anything learnful to say to those with an already firm grasp on numbers and letters? A music professor in Illinois seems to think so.

Last Wensdy I bragged that we were going to get some air time on KUNI, my old college public radio station. KUNI has a huge broadcast area, actually - almost all of eastern Iowa and a thin band of Illinois along the Mississippi, which includes Augustana College in Rock Island. A gentleman who professorizes music there sent us a kind email which concludes:

Incidentally, I am a professor of music at Augustana college in Rock Island Illinois and I thought you might like to know that I'll be teaching "Anthem" in my classes next term (with your permission of course). It is one of the most well-crafted songs I've heard in years. Just thought you should know...


If email was delivered on a truck, this is the route it would have taken:


View Larger Map

Just another example of how the internette renders the big old world in a more manageable scale.

--Evan

Tuesday, November 13, 2007

RSS and You

By the way, you may have noticed that our new and improved website is built in a blog format for easier commenting (on your part) and organization/archiving (on ours).

However, DID YOU KNOW...

You can also subscribe to an RSS feed of this site? Well, you can, it's easy.

Simply scroll down to the bottom of this page and you'll see this:

Subscribe to: Posts (Atom)

Click on the "Atom" part and the RSS feed address for this site will magically appear.
Well, magically in the sense that it's the internet and everything on the internet is magical and mysterious and really not to be trusted like Harry Potter or Ron Paul so why are you still reading this? Obviously you, like Kirk, hate blogs the internet Ron Paul everything.

Still in the dark about RSS? Don't be ashamed. Click here!

Because "Awesome" CaresTM

Meet the new bass player!

Well, for temporary purposes, anyway...

The next time you see us play live, you'll likely see this man on bass:













It's our good pal and Beehive Sessions engineer Pete Remine. He'll be holding down the back line with Kirk while Basil takes the month off to be a dad. (If you're not sure how that works, ask your parents, mayor or religious leader)

Pete and Rob are both in the steel drum supergroup, The Toucans, and Pete's studio is the site of many past (and hopefully many future) "Awesome" recording adventures.

Be sure to give him all sorts of love, though it won't be hard. He's a hard guy to hate. And trust us, we've tried.

Thanks Pete!

Kunjabunjas now uploaded

All the kunjabunjas from last Friday's Kunjabunja Art Party are now uploaded and available for listening. Go HERE and search by Date. Enter November 9, 2007. Enjoy!

Or rather, "Enjoy!"

-David

Monday, November 12, 2007

the best worst game ever

I had a lesson with one of my mandolin students today. She likes to learn Irish fiddle tunes by ear. The process involves me playing the first few notes of the tune over and over until she gets it. Then we add a couple more notes, and a couple more, so that the phrases she's trying to repeat get longer and longer, until she's got the whole tune. Which made realize that what we were doing was playing a real-life version of one my favorite early childhood games that makes the most annoying sounds, Simon. (I only was able to get to 11 playing it just now.)

Anyone else have any favorite childhood games with completely irritating sounds?

-John

I'm About To Blow Your Area

This last Friday we had yet another Kunjabunja Art Party. Rob was nice enough to let us use his house for it, even though he was out of town. We managed to not burn down his house hardly at all. The music kunjabunjas were recorded downstairs. The literary/word-art ones and the painting/drawing/visual art ones were done upstairs in the main room. Due to the fantastically wired sound system, the people upstairs could listen to old kunjabunjas on shuffle while the people downstairs made new ones. Rob texted in a title: Three Jolly Benches, which turned out to be pretty funny. I think my favorite kunjabunja title of the night was "I'm About To Blow Your Area", which featured Basil doing a quasi-rap/speak in a New England accent. Take Back Your Cages was also quite good, with Rick Miller on lead vocals. Other notable attendees included: Becky Poole rockin' the musical saw (and also the bird impressions/screeches), Mark Siano leaving his soft-rock stain on everything he touched, Amy O'Neal rocking the mic on 'Stuffing Keeps Going', and Jen Borges Foster keeping the one-word-per-page poetry book going (I just remember that the first 4 words were 'What Softness Preaches Temperance'). Clay unicorns were made. Collective cartoons were drawn. (One of them had something to do with a demon whose car was stolen by birds that took it into the forest and shit on it.) One of the literary challenges involved one person thinking up fake product names and handing them to someone else to think of the slogan. The only one I can remember is:
Speculum On A Stick: "At your cervix!"

We managed to record 41 music kunjabunjas in one night. These are their titles, in no particular order:
1. Cornflakes From The Box
2. God Is Forcing Blood
3. Here’s My Strangest String
4. I’m About To Blow Your Area
5. I’m About To Blow Your Aria
6. My Birds
7. Neckbrace Pulls At Hurt
8. Ponies Ponies Always Ponies
9. Seppuku With Alice
10. Silence Expands
11. Some People Combine Beverages
12. Stuffing Keeps Going
13. Subliminal Face Breathing Softly
14. Take Back Your Cages
15. Try Reluctantly Hard
16. A Year Without Pants
17. You Get Your Face Blasted
18. Accidental Dismemberment Happens
19. Cannibal Cannibal Times Are The Way
20. Can't Help Loving Myself Because I’m Totally Sweet and There’s No Help For Anyone After All
21. Cephalopod
22. Chickenpurplesman
23. Chromosomes Never Compete With DNA
24. Fast Frenzy
25. Form of Idiocy
26. Fragile Lemon Rang China
27. Frankly I Detest Love Part Two
28. Friends Always Sneeze
29. Hey Aren’t We Partners?
30. High Seven Times
31. I Frankly Detest Love However If I Can’t I Won’t
32. Listen, Fantastic Tits Destroy The Planet Again
33. Obviously Space Cannot Last
34. Outpatient Friendship
35. Phantom Lady Freaks Boats Forward Lightly
36. Sometimes Vibrations Can Happen to Anyone
37. Sweet Mercy For Us
38. The Freaks Are Out Logging Toads While I’m Home
39. Though We Challenge Ourselves To Play Upon The Instruments That We Cherish We Cannot Realize It
40. Three Jolly Benches
41. Yesterday Temptation Struck Hard On Toenails


It's taken me several hours just to compile them and edit some of them. Soon (I hope) they will all be put up on kunjabunja.com for your listening "pleasure". Just search for ones that happened on November 9, 2007.

In the meantime, take a listen to a recent favorite of mine, A Stew of Water.

-DAVID

Blogs are stupid

And yet, here I am. Today's spam email titles:

Show this to the kids
Don't forget to take this before you start dating
Evidence for Jesus' Existence
Can we use musical instruments in the church?
Bigger schlong = more enjoyment for partner!

The internet: getting worse since 1997. Just like Fremont!

Friday, November 9, 2007

Friday night live

Okay, so I'm supposed to be the Friday blogger. The problem is, I'm at a coffee shop in Tucson, and my computer battery is about to expire. I don't know how to do those fancy embedded links, nor do I have any pictures of my last two weeks down here in the southwest. Suffice it to say that I've had a great time eating mexican food and hanging out by the pool. I miss Seattle, especially knowing that there is a big party at my house tonight. (Hey you guys! Be careful with that! Yeah, go ahead and eat anything that's in the fridge. Just don't forget to feed the cats!) I promise a better blog next Friday. See you all soon! -Rob

Thursday, November 8, 2007

Sunset Over Mustacheville

BEFORE


SIDETRACKED



AFTER


next stop: drastic haircut?

Wednesday, November 7, 2007

Good Vestday to you.

According to the unimpeachable Wikipedia:

"A popular tradition in the United States is to wear a sweater vest on this mid-week business day. This has led Wednesday to be referred to as Vestday."

As if I needed any more evidence that I'm out of touch with american popular traditions. Today I'm wearing a grey hooded zipper-coat (I believe it's popularly referred to as a "hoodoo"). But I'll spare you my ongoing ontological struggles regarding the nature of popularity, endlessly fascinating though they may be.

Instead I'll share with you some news regarding that popular relic known as Radio!

1. I went to college at the University of Northern Iowa, and they have a radio station called KUNI. Seeing as how the Midwesterners are My People (and Ackermann's, too), I sent a copy of Beehive Sessions to my favorite DJ there: the locally legendary Bob Dorr. Every Friday night Mr. Dorr hosts Down on the Corner, a showcase for midwestern music. It was a stretch, but he's graciously offerred to give Anthem a spin on his November 9 show (this Friday!). My dad's gonna freak right out. Down on the Corner airs from 7pm - 9pm Seattle time, and you can listen online.

2. I bet you've all heard of the venerable Seattle twee-pop band Tullycraft--I had the pleasure of laying down some trumpet licks on their fresh and fancy new album Every Scene Needs a Center. They'll be playing live on KEXP tomorrow morning at 9:30, and they've invited me to join them on horn (and various "aahs" and "heys"). I haven't played trumpet that early in the morning since high school marching band, but I'm looking forward to the whole experience. If you have any questions for Morning Show host John Richards, post them in the comments and I'll (pretend to) ask him on air! I'll obviously be trying to get his opinion on the writer's strike. So if you're near a radio or intertube on Thursday at 9:30am PST, put your ears around it!

--Evan

Tuesday, November 6, 2007

Classic Rock Block

I have very little patience for Rod Stewart, generally. So it was with great relief this morning that the song on my iPod I thought was going to turn into "Maggie May" actually turned out to be "Every Picture Tells a Story". I love that song and have a secret yen to cover it someday with a special guest on lead vocals.

Along with Rod The Bod's version of "(I Know) I'm Losing You" (a cover of a Rare Earth tune [covering The Temptations] that holds its own impressively), "Every Picture" makes up pretty much 50% of my Rod Stewart preferred listening.
Color me surprised and appalled (apPALLED!), then, when I listened to the lyrics all the way through...

Did he...? Did he just say something about going to Asia and falling in love with a "slit-eyed lady?"

Wow Rod, the French were right when they said you were a nasty person. I haven't felt this duped since Ten Years After's vaguely homophobic curve ball:

Everywhere is/Freaks and scaries/
Dykes and faries/Tell me where is/
Sanity?


A slit-eyed lady?!
Classic Rock, sometimes you really take it too far!
It's not like listening to AC/DC or Van Halen where I know things are gonna skew a little politically incorrect and can mentally prepare (read stop singing along). I mean, Rod's supposed to be pretty safe, right? They play him on easy-listening stations, ferdaluvapete!

As if on cue, the next track in shuffle order was Thin Lizzy's "Jailbreak":

Hey you, good-lookin' female... Come over here

Great. So much for running for public office.

Monday, November 5, 2007

RUMOR MILL!

TWO members of "Awesome" are engaged to be married. True? False? Both true and false at the same time? Hmmmm....

Recent Movies Watched

My girlfriend Jen just returned from The Azores. While she's been getting over jet lag and culture shock, we've been staying at home and watching a bunch of movies. Here's what we've watched:

The Dark Crystal Classic Jim Henson / Frank Oz. Jen is totally a gelfling, so I made her watch it. There's a lot a great muppet creatures that only have one quick shot. I appreciate that.

The Incredibles - a very decent Pixar film. There's some interesting subversive themes in here commenting on current trends in education.

We watched the first 5 minutes of Perfume (too gross for jet lagged person! plus, we were eating dinner. Oook!)

Dave-- This is a guilty pleasure of mine. It's just hollywood fluff, but I kinda like it. Kevin Kline and Sigourney Weaver.

Monsters Inc. -- I own this one.
"Can I borrow your odorant?"
"Yeah, I got, uh, smelly garbage or old dumpster."
"You got, uh, low tide?"
"No."
"How about wet dog?"
"Yep. Stink it up."


Bug's Life Been a while since I seen this one. Eh, So-so.

Sense & Sensibility (The Emma Thompson version) I also own it. and love it. go figure.

The Birdcage Another one on my shelf. I watch it anytime I'm at home sick. It still cracks me up. Nathan Lane is always great, and even Robyn Williams is good in this one too.

Next on the list: Creatures From The Pink Lagoon. I saw it at Broadway Video and was like, "Hey... that guy on the cover looks vaguely familar..." And wouldn't you know it, it's "Awesome"'s own trumpeteer Evan Mosher! Then I looked on the back and lo and behold, the film was co-written by "Awesome"'s own bassist Basil Harris! What the hell is going on here? It's also got Nick Garrison (who is always funny. I saw him some years ago in Hedwig & The Angry Inch at the ReBar) and also John Kaufmann, who directed noSignal and who is currently off in grad school for directing. He used to live in the same building I do. And now Basil lives here. So I went upstairs and grabbed a copy of the movie from him. He warned me: "It's super gay, but it's not porno." Awwww....

Here: I put up a little script that will make some Random Titles. Now you can make your own movies.

-David

Friday, November 2, 2007

French composers, headshots

Last night, thanks to my friend Josef, I went to the Seattle Symphony's evening of French composers conducted by Stéphane Denève (final performance tonight). I arrived straight from work, underdressed in my third-avenue-casual attire and unkempt facial hair, prompting one of the musicians to ask "is he from Alice in Chains?" after the show. Pieces by Stravinsky, Debussy, and a composer named Faure (presumably the musician and not the pioneer of the lead battery) were played beautifully by the ensemble, but it was Ravel's Piano Concerto in G Minor that was so staggeringly good it had sugar rainbows bursting out of every instrument and golden cherubs licking the toes of the most esteemed arts donor. I'm no scientist (anymore), but it takes no degree of booksmarts to know that a composition with "Piano" prominently featured in its title requires a damn good pianist to pull it off, no matter how competent the symphony orchestra. That pianist was one Frank Braley, who is the subject of this come-hither headshot. Mr. Braley proceded to tickle the ivories with astonishing grace, invoking le aforementioned rainbows and cherubs. What can we learn from my experience? Headshots are funny and Alice in Chains is still relevent in Seattle.